The Magician

The second Symmetry record and the continuation of the same project: Johnny Jewel and Nat Walker working through the Drive material that Refn didn’t use, finding its shape not as a film score but as a self-contained ambient statement. The Magician extends the imagined-soundtrack logic into something closer to side-long pieces — less like individual cues, more like music that has already accepted it has no images to serve and stopped waiting for them.