Kraftwerk
Die Mensch·Maschine
- Released
- 1978
- Format
- Vinyl, LP, Album, Stereo
- Label
- Kling Klang · 1 C 058-32 843
motorikkrautrockkraftwerk
Electronic ElectroSynth-pop
View on Discogs ↗ Related titles
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Kraftwerk Computer World Computer World (1981) is the logical development from Die Mensch-Maschine (1978) — the robot-as-human thesis applied to the specific terrain of information technology. -
Neu! Neu! Dinger and Rother left Kraftwerk to form Neu! — the motorik pulse and the machine-as-musician idea split into two different futures at that moment. -
Kraftwerk The Robots The Robots is the single from this album — the same conceptual document in compressed form.
Die Mensch-Maschine — The Man-Machine — appeared in 1978. The four members of Kraftwerk photographed on the cover in matching red shirts and black ties, expressionless, posed as their own robotic replicas. The concept is not ironic: Kraftwerk were genuinely proposing that the boundary between the human musician and the machine instrument had become a question worth asking. Their answer, across this album, is that the distinction is less stable than it appears.
Afrika Bambaataa heard “Trans-Europe Express” and “Numbers” from this record’s predecessor and built “Planet Rock” (1982) around both, wholesale — Kraftwerk later sued and won, but the cultural transaction had already happened. Juan Atkins heard “Planet Rock” and decided his own “Cosmic Cars” was outclassed; he resolved to push further into machine funk and by 1985 was recording as Model 500. The full chain runs: Detroit clangor → Stooges → Krautrock → Die Mensch-Maschine → “Planet Rock” → Cybotron → Detroit techno. Die Mensch-Maschine is one of the loadbearing points.